Doublebass

 

 

 

Bassworks Double Bass Resources

Past Events

Autumn Bass Workshop 2003
Adelaide April 12th- 16th
Marryatville High School
Directed by Peter McLachlan

 

In April of 2003 Bass Works Australia had its second national workshop in Adelaide for double bass players. Players, from as young as 11 travelled from around Australia to have lessons with Francois Rabbath (Paris), Peter McLachlan (organiser, Adelaide), Ken Poggioli (Brisbane), George Vance (Washington) and Nicholas Walker (New York). As successful as the first workshop, the five days consisted of group classes in the morning, lunchtime concerts from the students and faculty, and master classes in the afternoon, which were taught by Francois Rabbath and supported by the rest of the faculty. There were also three larger concerts throughout the week, one from Francois Rabbath, one from Nicholas Walker, and finally a concert in which all the students and faculty took part.

Rehearsal for the final concert

Francois Rabbath continued to amaze students and audiences alike with his musicianship, virtuosity and gentle but perceptive instruction. Graham Strahle writes in The Australian, " Rabbath is a wizard on the double bass, fingers flying with apparent freeness all over the fingerboard. Undeniably he is a virtuoso, making this sometimes intractable, gruff old instrument dance with the grace and delicacy of a violin. And that's where his uniqueness lies: it is the apparent effortlessness of his sound, a product even more of his extraordinary fluid bowing action, that blows away all notions of the bass being a leaden object requiring brute force to muscle into action. Quite simply Rabbath is a self made phenomenon with no parallels in the modern era "

Even more than watching Francois perform, being taught by him, spending time with him, and getting to know him, was an amazing experience for all involved. Francois' love and enthusiasm for the instrument he has mastered inspired students, fortunate enough to attend to practise more and to work harder and smarter.

Nat Wiseman (student) writes, " It was a huge success - everybody I talked to, even those that only attended the concerts, said they had such a wonderful and positive experience in hearing (and playing with) the best bassists from around the world! I know that everyone left the workshop absolutely amazed at the possibilities available to bass players, and for myself it was a very awakening and inspiring week.

It is so special to have the opportunity to attend this kind of a workshop, as it inspires people to explore their abilities more and develop their skills further as bass player. It is also amazing to see how close and family-like the bass community is - it was great to have met and talked to many other like-minded people."

Nicholas Walker gave the second concert on the Sunday night. He gave virtuosic performances of traditional Irish tunes, jazz standards, pop tunes, alternative rock and Bach. Accompanied by Jason Hammond (piano) and Peter Mclachlan (guitar) the audience was spell bound for a very short 70 minutes.

Ken Poggioli of Brisbane and George Vance of Washington also attended as members of the faculty. George gave a passionate performance at one of the lunchtime concerts, playing pieces written for his native Serbia, in a style of music reminiscent of that country's older songs. Francois Rabbath, Nicholas Walker, Peter McLachlan, Ken Poggioli, and George Vance, all worked hard, putting in one hundred and ten percent. It appears their efforts were not in vain as so many inspired students dramatically improved in their style and technique during the week. The friendships that developed during the week between younger and older members of our bass community will be there to support those of them who choose music as a profession.

Bass Works (Bass Workshops) is a small business that is committed to the training of bass players in Australia.

Faculty:


From Left:
George Vance, Peter McLachlan, François Rabbath,
Nicholas Walker,
Ken Poggioli

Francois RabbathFrançois Rabbath, one of the great musicians of our time was born in Aleppo, Syria. Francois is a former member of the Paris Opera Orchestra and currently resides in Paris. He is completely self taught on the double bass and his approach to the instrument has revolutionized bass playing. As well as his 3 volumes 'Nouvelle Technique de la Contrabass' he has created a new idiomatic repertoire for solo double bass which reflects compositional influences from J.S. Bach to jazz by way of the Middle East. His playing has been described as a combination of astounding virtuosity and sensuous expression.

Peter McLachlan is an active and enthusiastic educator who currently lectures in music education and maintains a busy teaching schedule in his studio. He has worked as an orchestral musician with the State Opera and the Adelaide Symphony Orchestra and has appeared as a presenter in conferences in Australia and the USA.

Ken Poggioli has been a member of the Queensland Symphony Orchestra since 1985 and is active as a bass teacher at the Queensland Conservatorium of Music. In 1997 he established a successful programme at the conservatorium for young bass players. He has studied in London and Paris and holds a teaching diploma from the Rabbath Institute.

Nicholas Walker is a virtuoso double bassist, composer and multi-instrumentalist. He is a Fulbright Scholar and a recipient of the Annette Kade Fellowship. Walker studied at Rice University, and at the Nadia Boulanger Conservatoire de Paris. Walker has been honored with the Clifford Brown Memorial Young Talent Award, feature performances for the International Society of Bassists, the International Society of Jazz Educators, and the American String Teacher's Association. Walker has performed throughout the United States (including Alaska), Canada, theDominican Republic Jamaica, England, Holland, France, Italy, Denmark, the Czech Republic, Germany, Austria, Australia and Switzerland. Walker has played with a diverse and impressive array of musicians such as Illinois Jacquet, Clark Terry, Hank Jones, Frank Wess, Christoph Eschenbach, Michael Tilson Thomas, Blossom Dearie, Steve Ross, Abby Lincoln, John Hendricks, José Fajardo, Alfredo Valdez Jr., and Paquito Itechavarria.

George Vance is the author of an internationally recognized method for training young bassists. He actively promotes double bass study for children by giving demonstrations, disseminating materials, and conducting workshops for teachers. Mr. Vance's teachers have included Anthony Bianco, principal bassist laureate of the Pittsburgh Symphony, H. Stevens Brewster, Jr., late principal bassist of the National Symphony, and François Rabbath. He also studied with Dr. Shinichi Suzuki.

He received the Master of Fine Arts degree from Carnegie-Mellon University in 1977 and has a Bachelor of Arts degree from Arizona State University. Mr. Vance is a former member of the U. S. Army Field Band, the Birmingham Symphony, and the Virginia Beach Pops Orchestra. He has served on the Board of Directors of the International Society of Bassists and as editor of the I.S.B. magazine's column "Child's Play." Mr. Vance is on the faculties of George Mason University and the University of Maryland. In 1990 the American String Teachers Association honored him with a "Citation for Exceptional Leadership and Merit." In 1995 the International Society of Bassists presented him with a "Special Recognition Award" for his contributions to double bass pedagogy.

 

©2008 BassWorks Australia

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PO Box 130, BELAIR 5052
South Australia
Ph:+61 8 8278 2016
Email: info@bassworks.com.au