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Past
Events
Autumn
Bass Workshop 2003
Adelaide April 12th- 16th
Marryatville High School
Directed by Peter McLachlan
In
April of 2003 Bass Works Australia had its second national
workshop in Adelaide for double bass players. Players,
from as young as 11 travelled from around Australia to
have lessons with Francois Rabbath (Paris), Peter McLachlan
(organiser, Adelaide), Ken Poggioli (Brisbane), George
Vance (Washington) and Nicholas Walker (New York). As
successful as the first workshop, the five days consisted
of group classes in the morning, lunchtime concerts from
the students and faculty, and master classes in the afternoon,
which were taught by Francois Rabbath and supported by
the rest of the faculty. There were also three larger
concerts throughout the week, one from Francois Rabbath,
one from Nicholas Walker, and finally a concert in which
all the students and faculty took part.

Rehearsal
for the final concert
Francois
Rabbath continued to amaze students and audiences alike
with his musicianship, virtuosity and gentle but perceptive
instruction. Graham Strahle writes in The Australian,
" Rabbath is a wizard on the double bass, fingers
flying with apparent freeness all over the fingerboard.
Undeniably he is a virtuoso, making this sometimes intractable,
gruff old instrument dance with the grace and delicacy
of a violin. And that's where his uniqueness lies: it
is the apparent effortlessness of his sound, a product
even more of his extraordinary fluid bowing action, that
blows away all notions of the bass being a leaden object
requiring brute force to muscle into action. Quite simply
Rabbath is a self made phenomenon with no parallels in
the modern era "
Even
more than watching Francois perform, being taught by him,
spending time with him, and getting to know him, was an
amazing experience for all involved. Francois' love and
enthusiasm for the instrument he has mastered inspired
students, fortunate enough to attend to practise more
and to work harder and smarter.
Nat
Wiseman (student) writes, " It was a huge success
- everybody I talked to, even those that only attended
the concerts, said they had such a wonderful and positive
experience in hearing (and playing with) the best bassists
from around the world! I know that everyone left the workshop
absolutely amazed at the possibilities available to bass
players, and for myself it was a very awakening and inspiring
week.
It
is so special to have the opportunity to attend this kind
of a workshop, as it inspires people to explore their
abilities more and develop their skills further as bass
player. It is also amazing to see how close and family-like
the bass community is - it was great to have met and talked
to many other like-minded people."
Nicholas
Walker gave the second concert on the Sunday night. He
gave virtuosic performances of traditional Irish tunes,
jazz standards, pop tunes, alternative rock and Bach.
Accompanied by Jason Hammond (piano) and Peter Mclachlan
(guitar) the audience was spell bound for a very short
70 minutes.
Ken
Poggioli of Brisbane and George Vance of Washington also
attended as members of the faculty. George gave a passionate
performance at one of the lunchtime concerts, playing
pieces written for his native Serbia, in a style of music
reminiscent of that country's older songs. Francois Rabbath,
Nicholas Walker, Peter McLachlan, Ken Poggioli, and George
Vance, all worked hard, putting in one hundred and ten
percent. It appears their efforts were not in vain as
so many inspired students dramatically improved in their
style and technique during the week. The friendships that
developed during the week between younger and older members
of our bass community will be there to support those of
them who choose music as a profession.
Bass
Works (Bass Workshops) is a small business that is committed
to the training of bass players in Australia.
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Faculty:

From Left: George
Vance, Peter
McLachlan, François
Rabbath,
Nicholas Walker, Ken
Poggioli
François
Rabbath, one of the great musicians
of our time was born in Aleppo, Syria. Francois is a former member
of the Paris Opera Orchestra and currently resides in Paris. He
is completely self taught on the double bass and his approach
to the instrument has revolutionized bass playing. As well as
his 3 volumes 'Nouvelle Technique de la Contrabass' he has created
a new idiomatic repertoire for solo double bass which reflects
compositional influences from J.S. Bach to jazz by way of the
Middle East. His playing has been described as a combination of
astounding virtuosity and sensuous expression.
Peter
McLachlan is an active and enthusiastic educator who currently
lectures in music education and maintains a busy teaching schedule
in his studio. He has worked as an orchestral musician with the
State Opera and the Adelaide Symphony Orchestra and has appeared
as a presenter in conferences in Australia and the USA.
Ken
Poggioli has been a member of the Queensland Symphony Orchestra
since 1985 and is active as a bass teacher at the Queensland Conservatorium
of Music. In 1997 he established a successful programme at the
conservatorium for young bass players. He has studied in London
and Paris and holds a teaching diploma from the Rabbath Institute.
Nicholas
Walker is a virtuoso double bassist, composer and multi-instrumentalist.
He is a Fulbright Scholar and a recipient of the Annette Kade
Fellowship. Walker studied at Rice University, and at the Nadia
Boulanger Conservatoire de Paris. Walker has been honored with
the Clifford Brown Memorial Young Talent Award, feature performances
for the International Society of Bassists, the International Society
of Jazz Educators, and the American String Teacher's Association.
Walker has performed throughout the United States (including Alaska),
Canada, theDominican Republic Jamaica, England, Holland, France,
Italy, Denmark, the Czech Republic, Germany, Austria, Australia
and Switzerland. Walker has played with a diverse and impressive
array of musicians such as Illinois Jacquet, Clark Terry, Hank
Jones, Frank Wess, Christoph Eschenbach, Michael Tilson Thomas,
Blossom Dearie, Steve Ross, Abby Lincoln, John Hendricks, José
Fajardo, Alfredo Valdez Jr., and Paquito Itechavarria.
George
Vance is the author of an internationally recognized method
for training young bassists. He actively promotes double bass
study for children by giving demonstrations, disseminating materials,
and conducting workshops for teachers. Mr. Vance's teachers have
included Anthony Bianco, principal bassist laureate of the Pittsburgh
Symphony, H. Stevens Brewster, Jr., late principal bassist of
the National Symphony, and François Rabbath. He also studied with
Dr. Shinichi Suzuki.
He
received the Master of Fine Arts degree from Carnegie-Mellon University
in 1977 and has a Bachelor of Arts degree from Arizona State University.
Mr. Vance is a former member of the U. S. Army Field Band, the
Birmingham Symphony, and the Virginia Beach Pops Orchestra. He
has served on the Board of Directors of the International Society
of Bassists and as editor of the I.S.B. magazine's column "Child's
Play." Mr. Vance is on the faculties of George Mason University
and the University of Maryland. In 1990 the American String Teachers
Association honored him with a "Citation for Exceptional
Leadership and Merit." In 1995 the International Society
of Bassists presented him with a "Special Recognition Award" for
his contributions to double bass pedagogy.
©2008
BassWorks Australia
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